Theater
The support system for culture is quite special in Hungary. There are few private investors in this field, so most cultural institutions and theater companies do not operate on a commercial basis but are significantly dependent on public apanase. Those who are closer to the resource allocation office(r)s do not have financial problems, but those whose network of contacts is not “good” enough (or the subject of their productions may have some form of criticism about the current government) do not acquire sufficient resources. This kind of underfunding often requires very special solutions -from institutions and companies that do not have friends in high places- even for the sake of their mere survival.
In the theatrical world, of course, the company saves money where it can, so only the minimum amount of money is available for the set as well. In order to be able to create a set of acceptable quality from this minimum amount of funding, extremely cost-effective solutions are needed.
Hungarian people can be driven by this necessity to incredible creative achievements. Because of this scarcity, the idea was born of what it would be like if we tried to recycle the materials of the unused scenery that was gathering dust in the warehouse of the given theater. Thus, in the case of several assignments, we disassembled the older sets into their smallest possible building elements, then “tailored them” to the desired size and repainted them as needed.
This is how I “forge” need into virtue!
With this method, completely new elements and sets can be “conjured” from the old, used materials. And besides all this, it can save a significant portion of the construction material price of the set, it can even reduce the storage costs for that company (because they don’t have to pay for extra space to store the new set, as it usually fits in the place of the old set); and last but not least, this type of recycling is also a significant “innovation” from an environmental point of view when creating a set, because less new materials are needed, there is less trash, less storage costs, and so on.
This solution is therefore very effective, but at the same time -in addition to the usual set design and execution qualities- it also requires a very high degree of creativity (“imaginative faculty”) from the designer and executor!
Projects
Zsolt Goose and his Dog Mattyi
Original title: Lúd Zsolt és kutyája Mattyi
Responsibilities: Set Design & Execution
Theatrical company: TÁP Theater
Location: Atrium Theater, Budapest
Year: 2014
About the Play: The performance addresses the problem of the regrettable way in which officials in power in Hungary often abuse their power and use taxpayers' money for their own gain. The play adapts Mihály Fazekas's work “Goose-y” Matyi*, written in 1804, to Hungary’s present relations to be able to express its current political opinion. The play’s Zsolt Goose is an unemployed intellectual and Döbrögi is the local corrupt, power-abusing mayor. In the play they get in a tiff because Zsolt refuses to euthanize his dog Mattyi, who according to Döbrögi barks too much…
*The literary work Matyi Goosy, written by Mihály Fazekas in 1804, is a cult story reminiscent of the atmosphere of Hungarian folk tales -known to all Hungarian adults and children. For Hungarians, Matyi Goosy is like Robin Hood for the English or Wilhelm Tell for the Swiss.
The story is about a destitute serf boy named Matyi who takes his mother’s geese to the local market, but can’t sell them because the local lord, Döbrögi, takes them without paying. When Matyi naively cites the law and demands that he returns his geese, for that the power-abusing lord even orders him to get 50 lashes with a stick. After the beating, Matyi vows to “pay it back” to Döbrögi threefold. Following this, Matyi, first dressed as an Italian architect in the construction of Döbrögi's castle, secondly as a German doctor for Döbrögi's illness, and then for the third time at the local market without a disguise (but with the help of a stable boy, who says that he is Matyi Goosy and thus deceives the guards), beats the lord with 50-50 lashes with the stick. This is how the simple but cunning and courageous son of the people takes revenge on the lord for the injustice he suffered.
Set with projected background
Set 1 with projection
Set without projection
Set 2 with projection
Recycling
Set 3 with projection
The Tragedy of Man
Original title: Az ember tragédiája*
Responsibilities: Visual Design
Director: Gabor Csupo
Location: Thalia Theater, Budapest
Year: 2014
*”Adam's and Eve's epic journey throughout history trying to find the meaning of human life. Do we grow in wisdom as centuries pass, or just drift towards an inevitable doom?"
America
Egypt
China
London
Rome
Future
Journey by Moonlight
Original title: Utas és Holdvilág*
Responsibilities: Set Design & Execution
Theatrical company: TÁP Theater
Location: Jurányi Incubator House, Budapest
Year: 2014
*Journey by Moonlight (Hungarian: Utas és Holdvilág, literally “Traveler and Moonlight”) is among the best-known novels in contemporary Hungarian literature. Written by Antal Szerb, it was first published in 1937. According to Nicholas Lezard, it is “one of the greatest works of modern European literature... I can’t remember the last time I did this: finished a novel and then turned straight back to page one to start it over again. That is, until I read Journey by Moonlight.”
Mr. W. Messages
Original title: W. Úr Üzen
Responsibilities: Assistant Set Designer & Execution Leader
Director: Márk Bodzsár
Location: Atrium Theater, Budapest
Year: 2014
About the Play: Mr. W. Messages evokes the world of Chandler crimes and film noirs, but it does not take place in the sultry elegant Los Angeles of the 1930s, but rather in the “underworld” of today's Budapest between the most elite area called the Upper Rose Hill and the most lowbrow area called StoneMine. The figures were created by imagination, and it is a great fortune for all of us that they exist only in the world of the play…
Whose Life Is It Anyway
Original title: Mégis kinek az élete
Responsibilities: Assistant Set Designer
Director: Tamás Puskás
Location: Central Theater, Budapest
Year: 2011
About the Play: The life of sculptor Ken Harrison is his work. One day he has an accident. He is paralyzed from the neck down, and although he is perfectly healthy mentally, can only be kept alive by continuous medical treatment. His doctor is a man who not only swore an oath as a doctor about the sanctity of life, but also deeply believes in the value of life above all else. The play deals with the afterlife of the tragedy: how can one survive all of this with morale, dignity and not least humor? And does one have to want to survive at all? Ken doesn't want to. He starts the fight for the right to decide to die...
The play is an adaptation of Whose Life Is It Anyway? by Brian Clark, a long-running performance on Broadway and London stages.